Sir Georg Solti,
KBE (21 October 1912 – 5 September 1997) was a 31-time
Grammy Award winning,
[2] world-renowned
Hungarian-
British orchestral and operatic
conductor.
Early careerSolti was born György Stern in
Budapest to Moricz Stern and Teréz Rosenbaum. His cousin was
László Moholy-Nagy, the painter and photographer and co-founder of the
Bauhaus. His father Germanized György's name to Georg and changed his family name to Solti, to shield them from
antisemitism. He learned the
piano but at age 14 heard
Erich Kleiber conduct
Beethoven's
Symphony No. 5 and he decided immediately he wanted to be a conductor. He studied at the
Franz Liszt Academy of Music, under
Béla Bartók,
Zoltán Kodály,
Leo Weiner and
Ernst von Dohnanyi.
[3] By 1935 he was gaining recognition as a conductor, and made his debut at the
Budapest Opera on 11 March 1938 with
The Marriage of Figaro, the first time an unconverted Jew had ever conducted there. It was also Solti's last performance there. On that very day, Hitler annexed Austria, and anti-semitism became rife in Hungary under Admiral
Miklós Horthy's regime. In 1939, with
German invasion imminent, he fled
Hungary because of his
Jewish ancestry, and moved to
Switzerland, where he continued a career as a pianist and won a major piano competition, but had limited opportunities to develop his conducting. He never saw his father again.
After the Second World War, during which his father died of natural causes, Solti was
music director of the
Bavarian State Orchestra in
Munich (where he gave the German premiere of
Paul Hindemith's opera
Mathis der Maler, which had been banned under the Nazi regime) and the
Frankfurt Opera (where he gave the German premiere of
Alban Berg's
Lulu). In 1951 he made his debut at the
Salzburg Festival conducting
Mozart's
Idomeneo.
In 1960 Solti signed a three-year contract (effective in 1962) to be music director of the
Los Angeles Philharmonic, having guest conducted the orchestra in winter concerts in downtown Los Angeles, during the summer at the
Hollywood Bowl,
[4] and in other Southern California concerts.
[5] The orchestra had hoped that Solti would lead the orchestra when it moved into its new home at the still-to-be-completed
Dorothy Chandler Pavilion, and he even began to appoint musicians to the orchestra. However, Solti abruptly resigned the position in 1961 without officially taking the post after learning that the Philharmonic board of directors failed to consult him before naming then 26 year-old
Zubin Mehta to be assistant conductor of the orchestra.
[6] Mehta was subsequently named as music director in Solti's place.
In 1961 Solti became music director at the
Royal Opera House,
Covent Garden, serving in that capacity until 1971. There, Solti's bald head and demanding rehearsal style earned him the nickname, "The Screaming Skull" (after
the film of the same name).
[7] He thereafter spent much of his time in Britain and the
United States.
His first marriage to Hedi Oechsli, in 1946, ended in divorce.
[8] His second marriage was to
Valerie Pitts, a British
television presenter whom he met when she was sent to interview him. They had two daughters, Gabrielle and Claudia. In 1972 he was naturalised as a
United Kingdom citizen. He had been awarded an honorary
Order of the British Empire (KBE) in 1971, and was known as Sir Georg Solti after his naturalisation.
Solti was a great supporter and mentor to many young musicians, including the
Hungarian soprano
Sylvia Sass, with whom he recorded Mozart's "
Don Giovanni" and Bartok's "
Bluebeard's Castle." In addition, in 1994, Solti directed the "Solti Orchestral Project" at
Carnegie Hall, a training workshop for young American musicians.
[9][10]Chicago SymphonySolti was music director of the
Chicago Symphony Orchestra (CSO) from 1969 until 1991, when he was made the only Music Director Laureate in that orchestra's history. Before Solti took over as the CSO's music director, CSO violinist Victor Aitay described Solti's work style as follows:
"Usually conductors are relaxed at rehearsals and tense at the concerts. Solti is the reverse. He is very tense at rehearsals, which makes us concentrate, but relaxed during the performance, which is a great asset to the orchestra."
[11]In total, Solti conducted 999 performances with the CSO. His 1,000th performance was scheduled to be in October 1997, around the time of his 85th birthday. The City of Chicago renamed the block of East Adams Street adjacent to Symphony Center as "Sir Georg Solti Place" in his memory.
Solti consolidated the reputation of the CSO as one of the great orchestras of the world, while reiteratively reminding everyone how much he owed to the pioneering work of
Fritz Reiner, who never toured the orchestra abroad. Solti took the CSO on its first tour to
Europe in 1971.
[12] Solti's recordings with the CSO included the complete symphonies of
Beethoven,
Johannes Brahms,
Anton Bruckner, and
Gustav Mahler. Solti recorded complete operas with the CSO as well, including:
Moses und Aron by
Arnold SchoenbergOtello by
Giuseppe Verdi (also performed live at
Carnegie Hall)
[13]Die Meistersinger von Nürnberg by
Richard Wagner[14][15]Later careerIn addition to his tenure in Chicago, Solti was music director of the
Orchestre de Paris from 1972 until 1975. From 1979 until 1983 he was principal conductor of the
London Philharmonic Orchestra. During this time with the London Philharmonic he performed and recorded many works by Elgar including the two symphonies, the Violin Concerto with Kyung Wha Chung and the Cello Concerto with
Julian Lloyd Webber. In 1983 he conducted Wagner's
Ring Cycle at
Bayreuth for the only time. For the 50th anniversary of the
United Nations, Solti formed the World Orchestra for Peace, which consisted of musicians from 47 orchestras around the world.
Solti continued to add new works to his repertoire in the latter days of his career, voicing particular enthusiasm for the music of
Dmitri Shostakovich, whom he admitted he failed to appreciate fully during the composer's lifetime. His commercial recordings of Shostakovich symphonies included Nos. 1 (
Concertgebouw Orchestra), 5 (VPO), 8, 9 (twice : VPO & Carnegie Hall Project),10, 13 and 15 (all CSO).
Solti never truly retired, and his sudden death of a heart attack on 5 September 1997 in
Antibes,
France, meant several years of planned performances and recording projects would never be realized. According to his last wish, Solti rests in Hungarian soil. After a state funeral, he was placed beside the remains of Bartók: his one-time tutor and mentor. After Solti's death, his widow and daughters began the Solti Foundation to assist young musicians. In 2002 a website dedicated to Solti was launched, under the instigation of Lady Solti.
[16]Solti co-wrote his memoirs with
Harvey Sachs, published in the UK under the title Solti on Solti,
[17], Memoirs
[18] in the USA, and Emlékeim in Hungary, and the book appeared in the month after his death. His life has also been documented in a film by Peter Maniura entitled Sir Georg Solti: The Making of a Maestro.
In September 2007 as a tribute on the 10th anniversary of Solti's death, a recording of his last concert was released on Decca, a performance with the
Tonhalle Orchestra Zurich of
Gustav Mahler's
Symphony No. 5.
[19]RecordingsSolti was as enthusiastic making music in the recording studio as in the opera house or concert hall. He developed a long and productive partnership with the legendary producer
John Culshaw at
Decca. Products of this partnership included the first ever complete studio recording of
Wagner's
Der Ring des Nibelungen with the
Vienna Philharmonic (VPO). No less distinguished and equally groundbreaking were his studio recordings of the operas of
Richard Strauss, which, like his Wagner recordings, have been remastered and released on
CD where they are still praised for their musicianship and expert production values.
[20] His performances and recordings of works by
Giuseppe Verdi,
Gustav Mahler and
Béla Bartók were also widely admired. In addition to his recordings with the CSO, Solti recorded other repertoire with orchestras such as the
London Philharmonic Orchestra and the
Vienna Philharmonic, such as the two symphonies of
Edward Elgar, selected symphonies of
Tchaikovsky,
William Walton's Belshazzar's Feast,
Michael Tippett's Symphony No. 4 and Byzantium, and the Da Ponte/Mozart operas.
In addition, Solti collaborated with
Dudley Moore to create a 1991
television series, Orchestra!, which was designed to introduce audiences to the symphony orchestra.
Recordings with the Chicago Symphony:
Bartok, Concerto for Orchestra (1981)
Bartok, Dance Suite (1981)
Bartok, Piano Concertos #1 - 3 /w Ashkenazy
Berlioz,
Symphonie FantastiqueBeethoven, Fidelio
Beethoven, complete Symphonies #1 - 9
Beethoven, Piano Concertos #1 - 5 /w Ashkenazy
Brahms, Symphonies #1-4
Brahms, Ein Deutsches Requiem
Dvorak, Symphony #9
Mahler, complete Symphonies #1 - 9
Mussorgsky, Khovanshchina Prelude (1998)
Mussorgsky (orchestrated by Shostakovich), Songs and Dances of Death with Sergei Aleksashkin (1998)
Prokofiev,
Symphony No. 1 (1982)
Schoenberg, Moses und Aron (1984)
Shostakovich, Symphony No. 15 (1998)
Strauss, Also Sprach Zarathustra and other tone poems
Stravinsky, Rite of Spring
Tchaikovsky, Swan Lake, excerpts (1987)
Tchaikovsky, Symphony No. 5 (1987)
Tchaikovsky, Symphony No. 6 "Pathetique"
Verdi, Otello
Wagner, Der fliegende Hollander (1976)
Wagner, Die Meistersinger von Nuernberg (1995)
Wagner, Tannhaeuser Overture (1977)
Wagner, Tristan und Isolde, Prelude and Liebestod (1977)
Awards and recognitionSonning Award (1992;
Denmark)
Sir Georg Solti holds the record for having received the most
Grammy awards. He personally won 31 Grammys, including the
Grammy Lifetime Achievement Award, and is listed for 38 Grammys (6 went to the engineer and 1 to a soloist); he was nominated an additional 74 times before his death in 1997.
In 2007 his widow Valerie, Lady Solti was made a Cultural Ambassador of Hungary, an honorary title granted by the Hungarian state.
He was a recipient of
Yale University's
Sanford Medal.
[21]原文:
http://en.wikipedia.org/wiki/Georg_Solti